Dust, Pits and Chaos: A Heavy Festival Throwback at Reading And Leeds

Reading erupts in pits, chaos and BMTH’s explosive finale.

MUSIC

24th August 2025


Text By

K Futur

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This weekend, Reading and Leeds were shaken by one of the most ambitious, chaotic, and ultimately cathartic festival days in recent memory. What unfolded was not just a run of bands on a billing. It was a full-scale metalhead takeover, culminating in Bring Me the Horizon closing out their era-defining “Next Gen” cycle with Eve’s final experiment.

A Metalhead Takeover from the Start

The shift in atmosphere was clear as soon as Enter Shikari stormed onto the main stage, standing in for another act but instantly owning the space. Their set was nothing short of incendiary, sending the crowd into a frenzy. With every breakdown and pulse of electronics, the festival fields became a storm. Dust swirled in a tornado above the circle pits, adding a post-apocalyptic edge to proceedings, as if nature itself had joined in the chaos.

For many, it felt like a throwback to Reading and Leeds’ rock and metal-dominated roots in the early 2000s, when the festivals were synonymous with heavy riffs, nu-metal chaos, and pits stretching as far as the eye could see. This year’s programming tapped back into that heritage, reminding everyone that beneath the pop and indie banners of recent years, Reading and Leeds’ DNA has always carried a snarling, distorted edge.


Limp Bizkit Bring the Mayhem

If Enter Shikari cracked the surface, Limp Bizkit smashed it wide open. Fred Durst strutted onto the stage and detonated the festival with Break Stuff, a track tailor-made for carnage. The energy was feral, fans climbing on each other’s shoulders and screaming every lyric like their lives depended on it.

In a moment of nostalgia and madness, a fan was pulled from the crowd to sing Full Nelson in full, a dream come true for any die-hard. Bizkit leaned into their legacy, dropping their much-memed cover of Behind Blue Eyes to a sea of lighters and phones, a brief reprieve before chaos resumed. On the stage screens, a running gag saw famous faces flash up with a distorted smile filter and the caption about them loving Limp Bizkit.

It was irreverent, ridiculous, and undeniably effective, Limp Bizkit at their most self-aware and self-indulgent.

Eve’s Final Experiment: Bring Me the Horizon Close the Cycle

But the day belonged to Bring Me the Horizon. As the sun set, the stage transformed into a dystopian nightmare for the grand finale of their “Next Gen” tour. For the past year, the band has been weaving a narrative around Eve, an AI character designed to save humanity. Her solution, chillingly, was to wipe it out. Reading was billed as Eve’s final experiment, and fans knew they were witnessing the closing chapter of a story that had defined this cycle.

The setlist was brutal and beautiful in equal measure. Moshpits raged with unrelenting violence during Teardrops and Kingslayer, while moments like Follow You turned the field into what frontman Oli Sykes cheekily called a “mini Bon Jovi concert,” lighters swaying above the carnage. Their surprise Oasis Wonderwall cover proved a masterstroke, uniting generations of festival-goers in one of the weekend’s loudest singalongs.

As the night reached its climax, Bring Me closed with the one-two punch of Drown and Throne. The crowd, hoarse but euphoric, roared along, engulfed in pyro, fireworks, and a sense of finality.

Ten Years On, Still Reaching New Heights

It has been a decade since Bring Me the Horizon stood second from top at Reading and Leeds, a band still fighting for legitimacy in the mainstream. Now they are not just headliners. They are architects of some of the most immersive live shows British metal has ever seen.

Their 2023 Download Festival headline set, widely regarded as one of the greatest in the festival’s history, told an earlier chapter of the Eve saga. That show felt like a proof of concept. Reading and Leeds this weekend was the fully realised vision.

By tying together theatrics, narrative, and a blistering performance, Bring Me the Horizon have proven once again that they are not simply keeping up with their peers. They are setting the pace. The “Next Gen” cycle is over, but whatever comes next is already looming. And after Eve’s final experiment, expectations could not be higher.

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