Indie Night at The Vic: Packed Floors, New Anthems and Proper Community Spirit

Indie Night once again delivered a tightly run evening of grassroots live music, packing three strong acts into a bill that never lost momentum. With swift changeovers and very little downtime between bands, the energy in the room stayed consistent from the opening chord to the final encore.

The Telephones Open with Intent

The Telephones kicked things off as a four-piece, launching straight into It’s Coming Around and immediately setting the tone. There was no slow build. From the outset, the set felt purposeful and assured.

Despite having been ill beforehand, Bluebell still sounded strong, carrying the melodies with clarity and presence. The band leaned heavily into new material, debuting a brand new track and showcasing several fresh songs that signal a group pushing forward creatively rather than standing still.

UFO 69 was a clear standout. Fast-paced and sharp-edged, it carried that scrappy Libertines-style urgency, built for sweat-soaked rooms and shouted hooks. Mid-set, they dropped down to a three-piece for a spell, subtly changing the dynamic before building things back up again. One track was dedicated to Tommy from the main band, a brief but meaningful moment that added heart without slowing the pace.

Beat Neck Hurricane Bring Experience and Versatility

Beat Neck Hurricane followed, fronted by Barry Sutton of The La’s. The five-piece brought a more expansive sound to the room, blending melody, confidence and understated swagger.

Sutton’s voice remains instantly recognisable and in strong form. Three different members stepped up to sing across the performance, and they frequently swapped instruments, a move that showcased both versatility and trust within the group.

Their cover of Ann Peebles’ I Can’t Stand the Rain was a standout moment. It retained the soul of the original while adding their own texture, giving the audience a change of pace before the final act.

Sura Laynes Close with Direct, Driving Indie Rock

Headliners Sura Laynes took to the stage as a trio, usually a four-piece but a man down on the night. If there was any impact on the sound, it was hard to detect. The stripped-back line-up arguably sharpened their delivery.

There are shades of The Enemy in their punchy, no-frills indie rock. Guitars were tight, drums hit with intent and the set carried a directness that felt perfectly suited to the room. It was a strong, focused closing performance that capped off the evening in style.

Charity buckets circulated for Headway, adding a final reminder that nights like this are about more than just the music. They are about backing causes, supporting each other and sustaining the scene.

Grassroots Done Properly

With fresh songs, confident performances and a bill that flowed seamlessly from band to band, this Indie Night was another example of Derby’s live circuit doing what it does best. No excess, no unnecessary padding, just well-curated independent music delivered with intent.

In a city that continues to champion its grassroots venues and promoters, evenings like this prove that the scene remains not only active, but thriving.

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