Some nights carry a certain weight before they even begin, and Saturday 4th April at Mr Shaw’s House was one…
By K Futur LOCALDerby’s live music scene has been in relentless form over the Easter weekend, with venues across the city pulling in crowds, pushing genres and proving-once again-that grassroots culture here isn’t just surviving, it’s thriving. Among a packed schedule of standout shows, Sunday 5th April’s daytime gig at Dubrek Studios stood out as one of the weekend’s most electric offerings.
Running from 12:30pm through to 5pm, this wasn’t your typical laid-back Sunday session. Organised by Outta Mind Presents-a not-for-profit promoter rooted in Dubrek’s creative ecosystem-the event leaned hard into post-punk, noise and alt rock, delivering a high-energy lineup that never let the room settle.
From the moment the first notes hit, the tone was set: fast, loud and constantly moving.
A Promoter That Gets It
Outta Mind Presents continues to carve out a reputation for curating uncompromising line-ups that prioritise energy, experimentation and community. Operating out of Dubrek Studios itself, their DIY ethos was evident throughout the day-no frills, just raw sound and a crowd that was fully locked in.
And with a strong turnout filling the space from early afternoon, it was clear that Derby’s appetite for alternative music isn’t tied to time slots or tradition. Daytime gigs like this are becoming a genuine staple, offering something different while maintaining the same intensity as any late-night show.
James Thornhill Keeps the Pulse Alive
Between sets, James Thornhill took control of the decks, threading together a wide-ranging selection that kept the atmosphere simmering even in transitional moments.
Rather than letting energy dip, Thornhill’s DJ sets acted as connective tissue-bridging each band with sharp selections that maintained momentum and gave the crowd no reason to drift. It’s a small detail, but one that elevated the entire experience.
Big Break Bring Sheffield Chaos
Sheffield’s Big Break wasted no time in setting the bar high. Their sound-fast, driving and unapologetically chaotic-hit with immediate force. Shouty vocals spiralled into screeches, layered over noisy guitars and razor-tight rhythms, while cutting, spacey synths added an experimental edge.
There were clear echoes of IDLES in their delivery, but with a more upbeat, almost frenetic twist. Melodic passages collided with bursts of aggression, keeping the crowd on edge in the best way possible.
A standout moment came with a track dedicated to the straight edge lifestyle-delivered with full hardcore conviction and met with a surge of approval from the front rows.

No Peeling’s Alien Groove
Representing Nottingham, No Peeling brought a different kind of chaos-one driven by synths, groove and an almost otherworldly sonic palette.
Fast, bright and unapologetically quirky, their set blended melodic female vocals with sharp bursts of guitar and synth stabs. Beneath it all sat an unbreakable rhythm section, pushing forward with funky, high-speed grooves that kept bodies moving across the room.
The use of feedback and strange chord progressions gave their sound an alien quality-unpredictable, slightly disorienting, but completely captivating. It was post-punk with personality, and the crowd responded in kind.

Gimic Close with Precision and Power
Closing out the day, Bristol’s Gimic delivered a set that felt both chaotic and impossibly controlled. Their brand of frantic, abrasive punk/post-punk was executed with surgical precision-every hit, every shift, locked in down to the millisecond.
Fronted by fierce female vocals that swung between raw screams and powerful melodic lines, the band balanced aggression with technical finesse. The rhythm section was relentless, driving at hyper speed, while the guitarist layered controlled feedback with bursts of intricate shredding.
Despite the intensity, there was a danceable undercurrent running throughout-energy that didn’t just hit, but moved. Constantly.

A Scene That Doesn’t Switch Off
What tied the entire afternoon together was a shared ethos: speed, volume and movement. Every act leaned into it, each interpreting it in their own way, but all contributing to a cohesive, high-impact experience.
More importantly, the turnout proved something bigger. Derby’s grassroots scene doesn’t rely on big names or late-night slots to draw a crowd. Give people authenticity, give them energy, and they’ll show up-Sunday afternoon or not.
Dubrek Studios continues to cement itself as one of the city’s most vital cultural hubs, and with promoters like Outta Mind Presents pushing things forward, the future of Derby’s alternative scene looks anything but quiet.
If this Easter weekend is anything to go by, it’s only getting louder.
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